The Metropolitan Opera, founded in 1883, moved into its snazzy Lincoln Center quarters in 1966. The Met opera facility is one of the largest in the world, seating nearly 4,000.
Designed by architect Wallace Harrison, who was also responsible for Rockefeller Center and the United Nations complex, the Met's Lincoln Center theater is one of New York City's grandest spaces, with 32 Swarovski crystal chandeliers; beautiful wood paneling, all from one titanic rosewood tree; a gold-leaf ceiling; maroon, maroon everywhere; and, for the best acoustics, no right angles anywhere. The proscenium stage measures 54 feet by 54 feet and is fully 110 feet high, allowing for larger sets than nearly anywhere else.
Not only that, multiple sets can be slid onto and off the stage for quick changes between acts and productions, while the huge space belowdecks has room to store five or six other complete productions. (Additional productions are stashed in New Jersey warehouses, ready to be called back into action when the company wishes to restage an old favorite.)
That quick-change ability makes the Met's long and busy season possible. The 2009-2010 campaign features an amazing 28 productions, including eight new ones. Unlike in regular theater, the big opera companies keep successful productions in repertory for years, sometimes decades. This year's La Bohème is the Franco Zeffirelli staging that dates back to 1981, for example. On the other hand, the much-discussed production of Janá?ek's From the House of the Dead is brand new at the Met this year. It's the new productions that make news, naturally. But it's often the old ones that bring the biggest crowds for the longest periods of time.
Like Broadway and museums, opera is recognizing the importance of the blogosphere in promoting culture and the arts. The Met took a group of web writers on a backstage tour last night, giving us a rare chance to see the nuts and bolts of the opera house, including the workshop, where sets are built and repaired. The crispy person and the chefs pictured, who are in the shop for some touch-ups, come from Hansel and Gretel, while parts and relics of productions past are everywhere, such as the Nixon in China portal leg and the unidentified heads, also pictured.
The Met, like other opera companies, knows that it must not only present operas but help create the next generation of opera fans through education and outreach if the art is to survive the 21st century. To this end they are going far beyond merely inviting bloggers backstage and mounting family-friendly productions like Hansel. The Met's HD Live in Schools programs transmits live performances directly to schools all across the country, while its Live in HD simulcasts have been drawing crowds (close to a million people in 2007) to movie theaters, where you can now also see live performances from the Gran Teatre del Liceu from Barcelona and La Scala from Milan.