{"id":551,"date":"2009-06-23T20:33:04","date_gmt":"2009-06-24T01:33:04","guid":{"rendered":"https:\/\/jonsobel.com\/?p=551"},"modified":"2009-06-23T20:33:11","modified_gmt":"2009-06-24T01:33:11","slug":"theater-review-telethon-by-kristin-newbom","status":"publish","type":"post","link":"https:\/\/jonsobel.com\/?p=551","title":{"rendered":"Theater Review: <i>Telethon<\/i> by Kristin Newbom"},"content":{"rendered":"<p>Five humans, all with troubles, assemble at a Dunkin&#39; Donuts wearing Halloween costumes.  After raising money for their group home for the disabled, the three residents and two staffers coalesce into a bickering but affectionate group.  On some level, as playwright Kristin Newbom demonstrates, the disabled and the staffers aren&#39;t so different.  But that&#39;s about as much of a moral as can be extracted from the three scenes that comprise this compact one-act; Newbom&#39;s witty script is about as un-preachy as a play can get.<\/p>\n<p>In large measure, the play is about money.  First, it&#39;s physically present &#8212; the tables are covered with the dollar bills our heroes have raised and are counting.  In fact, counting the money is the silent breathing action behind the play&#39;s dialogue. <a href=\"http:\/\/s421.photobucket.com\/albums\/pp297\/jsobel123\/?action=view&#038;current=telethon.jpg\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/i421.photobucket.com\/albums\/pp297\/jsobel123\/telethon.jpg\" style=\"border: 1px solid gray; margin: 10px; float: left\" alt=\"telethon\"\/><\/a> Second, money is constantly presenting itself in the abstract, as the characters worry about the group home&#39;s funding, their own financial situations, and whether they can take a dollar from the pile to buy a cup of coffee.<\/p>\n<p>It&#39;s all very funny &#8212; bordering on the absurd, yet believable and touching.  Jerry (Andrew Weems), who walks with crutches, is a philosophizing motormouth whose rampant fabricating hides a well of loneliness.  Wheelchair-bound Shelly (Birgit Huppuch) gets a lot of the biggest laughs with a stream of innocent non sequiturs; revealing some of the circumstances of her life in quick, unexpected darts, she&#39;s the exposed heart of this makeshift family.  Gary (Debargo Sanyal), who has a severe neuromuscular dystrophy and uses a motorized wheelchair, hardly says anything out loud, but we do learn, in a quite startling way, what has been occupying the mind inside his uncooperative body.<\/p>\n<p>The staffers are in sadder states than their charges.  Scott (Greg Keller), outwardly a handsome young man, suffers from crippling anxiety that leaves him hyperventilating and feeling like a &quot;barren landscape&quot; with a fire in his belly.  Lonely Ann (Christina Kirk), a single mother, fights off creditors while nursing an unrequited crush on Scott.<\/p>\n<p>The cast shines, Ken Rus Schmol directs smoothly, and Kirche Leigh Zeile&#39;s costumes are hilarious.  But the real star of this show is the sparkling script.  Ms. Newbom has a surefire sense of rhythm. Watching this play is like listening to a brilliant piece of music executed with precision and filled with surprises.<\/p>\n<p><i>Telethon<\/i>, the third and final play of <a href=\"http:\/\/www.clubbedthumb.org\/\">Clubbed Thumb<\/a>&#39;s Summerworks 2009, closes June 27.<\/p>\n<p><i>Photo by Carl Skutsch. (L-R): Andrew Weems (Jerry), Birgit Huppuch (Shelly), and Greg Keller (Scott)<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Five humans, all with troubles, assemble at a Dunkin&#39; Donuts wearing Halloween costumes. After raising money for their group home for the disabled, the three residents and two staffers coalesce into a bickering but affectionate group. On some level, as playwright Kristin Newbom demonstrates, the disabled and the staffers aren&#39;t so different. But that&#39;s about &hellip; <a href=\"https:\/\/jonsobel.com\/?p=551\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Theater Review: <i>Telethon<\/i> by Kristin Newbom&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-551","post","type-post","status-publish","format-standard","hentry","category-theater"],"_links":{"self":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts\/551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=551"}],"version-history":[{"count":2,"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts\/551\/revisions"}],"predecessor-version":[{"id":553,"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts\/551\/revisions\/553"}],"wp:attachment":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=551"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}