{"id":346,"date":"2008-04-05T09:32:33","date_gmt":"2008-04-05T14:32:33","guid":{"rendered":"https:\/\/jonsobel.com\/?p=346"},"modified":"2008-04-05T09:32:33","modified_gmt":"2008-04-05T14:32:33","slug":"music-review-rachel-taylor-brown-half-hours-with-the-lower-creatures","status":"publish","type":"post","link":"https:\/\/jonsobel.com\/?p=346","title":{"rendered":"Music Review: Rachel Taylor Brown &#8211; <i>Half Hours with the Lower Creatures<\/i>"},"content":{"rendered":"<p>Most singer-songwriters wouldn&#39;t start off a CD with a strange, more or less wordless, seven-minute space oddity of toy piano and the ambient sounds of a shopping mall.  But <a href=\"http:\/\/www.myspace.com\/racheltaylorbrown\">Rachel Taylor Brown<\/a> isn&#39;t like most singer-songwriters, and <i>Half Hours with the Lower Creatures<\/i> isn&#39;t like most CDs.<\/p>\n<p>That opening track, &quot;Hemocult\/I Care About You,&quot; may chirp and plink like the soundtrack to a trippy video from the 1960s, but it&#39;s the right introduction to the unique sonic world that&#39;s encompassed in this plastic disc like a weird playground in a snow globe. Brown and co-producer Jeff Stuart Saltzman have twisted and woven Brown&#39;s off-kilter songs (and &quot;songs&quot;) into a forceful and intriguing suite that uses some of the conventions of rock and pop &#8211; from the Beatles to PJ Harvey, from Laurie Anderson to noise-rock &#8211; but in unexpected combinations that somehow always make a kind of sense.<\/p>\n<p>It&#39;s like a <i>Sergeant Pepper<\/i> for a decade lacking in hope.  The theme of sacrifice predominates, introduced in the first real song, &quot;You&#39;re Alright Sorla One (The Sell)&quot;: &quot;you&#39;re alright of course you&#39;ll feel a little pain \/ you&#39;re alright everything is gonna change \/ i could wish a different kind of story.&quot;<\/p>\n<p>The story that follows isn&#39;t different, it&#39;s unpleasantly familiar, but observed through Brown&#39;s unique artistic lens.  &quot;This hurts me more than it hurts you,&quot; says Abraham in &quot;Abraham and Isaac (The Whack).&quot;  Someone is always feeling pain.  In &quot;Passion (The Goad)&quot; it&#39;s Jesus. In &quot;Mette in Madagascar (The Mission)&quot; it&#39;s the singer, quietly fuming at a missionary&#39;s smug righteousness.<\/p>\n<p>In &quot;B.S. (Beautiful Savior) (The War)&quot; and &quot;Another Dead Soldier in Fallujah (Waste)&quot; the victims are obvious, but Brown turbocharges her attack on the Iraq War by tying war motives and imagery to religious themes.<\/p>\n<p>Musical colors also recur from song to song.  The last long song, &quot;Vireo,&quot; has obscure lyrics about the title bird, but the music grows spacier by the minute until it harks back to the opening track.  It&#39;s followed by the sparse, beatless &quot;This is a Song (Sorry)&quot; in which, finally, the singer herself becomes the aggressor; but all she can do to vent her anger is to hurt someone she loves: &quot;this is a song for someone i love i kicked in the gut i punched in the \/ eye this is a song for someone i love, this is a \/ song for didn&#39;t deserve it this is a song for better than i&#8230;&quot;<\/p>\n<p>That, right there, is the poetry of 21st century disillusionment. Just in case you were looking for it.<\/p>\n<p>Hear <a href=\"http:\/\/cdbaby.com\/cd\/rtbrown5\">extended samples and purchase CD or MP3s<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Most singer-songwriters wouldn&#39;t start off a CD with a strange, more or less wordless, seven-minute space oddity of toy piano and the ambient sounds of a shopping mall. But Rachel Taylor Brown isn&#39;t like most singer-songwriters, and Half Hours with the Lower Creatures isn&#39;t like most CDs. That opening track, &quot;Hemocult\/I Care About You,&quot; may &hellip; <a href=\"https:\/\/jonsobel.com\/?p=346\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Music Review: Rachel Taylor Brown &#8211; <i>Half Hours with the Lower Creatures<\/i>&#8220;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-346","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts\/346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=346"}],"version-history":[{"count":0,"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts\/346\/revisions"}],"wp:attachment":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}