{"id":316,"date":"2008-01-21T10:13:07","date_gmt":"2008-01-21T15:13:07","guid":{"rendered":"https:\/\/jonsobel.com\/?p=316"},"modified":"2008-01-21T10:13:12","modified_gmt":"2008-01-21T15:13:12","slug":"theater-review-nyc-wandas-world","status":"publish","type":"post","link":"https:\/\/jonsobel.com\/?p=316","title":{"rendered":"Theater Review (NYC): <i>Wanda&#8217;s World<\/i>"},"content":{"rendered":"<p>Aimed at &#8220;the tween in all of us,&#8221; the brash, sparkling new musical <i>Wanda&#8217;s World<\/i> lives up to its billing splendidly.  Director-choreographer Lynne Taylor-Corbett fashions Beth Falcone&#8217;s rock and pop-inspired tunes into a series of colorful song-and-dance numbers that tug the ear, delight the eye, and yank you through the story in spite of yourself.<\/p>\n<p>It&#8217;s a story with universal kid appeal, including for the kids who still live inside adults.  Thirteen-year-old Wanda, played by a petite firecracker named Sandie Rosa, has a rich imaginative life: she stars in her own TV show, but only in her bedroom, attended solely by her loyal dog Spangles (Chris Vettel).  In real life, Wanda is starting at a new school and terrified of not making any friends.  An additional, more unusual problem magnifies her fears, and things look grim when we&#8217;re introduced to the cliquey kids she&#8217;s going to be thrown in with.<\/p>\n<p>A number called &#8220;She&#8217;s So Last Week&#8221; exemplifies the show&#8217;s cleverness, as the popular girls quiz Wanda on what bands she likes and so forth.  Putting on a friendly front, cheerleader Jenny Hightower (Jennifer Bowles) undercuts the newcomer with every other line.  Meanwhile, football star and straight-A heartthrob Ty Belvedere (the superb tenor James Royce Edwards) is running for class president.  In his number &#8220;What&#8217;s Not to Like?&#8221; he extols his own perfect virtues while allowing a peek at the good heart inside.  When jealous P.J. Dunbar (Leo Ash Evens) prods Wanda and her videocamera to pursue Ty to his house for a post-game interview, a dangerous, if not very original, scheme is afoot.<\/p>\n<p>It&#8217;s a feel-good tale that actually makes you feel good, not icky.  Encouraged by a pair of sympathetic teachers, played twinkly-eyed by Broadway veteran Valerie Wright and the delightful Mr. Vettel, Wanda&#8217;s true talents and social skills emerge.  The &#8220;villians&#8221; get their comeuppance without cruelty, and there&#8217;s even a romantic side plot furthered by a couple of charming cups of coffee.  Though directed pointedly at &#8220;tweens&#8221; &#8211; kids roughly ten to twelve &#8211; the show mostly held the attention of my not-quite-eight year old companion, who &#8220;liked the dog&#8221; but also, as it turned out later at &#8220;how was the show?&#8221; time, had followed most of the fairly complex plot and was anxious to relate it.<\/p>\n<p><a href=\"http:\/\/www.flickr.com\/photos\/30536365@N00\/2206900791\/\" title=\"Wanda's World by jsobel, on Flickr\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/farm3.static.flickr.com\/2037\/2206900791_2a7c5a67c5_o.jpg\" width=\"500\" height=\"331\" alt=\"Wanda's World\" \/><\/a><\/p>\n<p>The performances are excellent, with not a single weak link.  A few colorfully painted pieces of furniture and backdrop video effects create the necessary schoolyard, TV studio, and bedroom sets, while Aaron Spivey&#8217;s inventive lighting and Jennifer Caprio&#8217;s wonderful costumes are almost supporting characters of their own, especially during the appropriately garish and slightly scary Halloween Dance segment.  Only a small technical problem with one of the microphones (and the small stage) reminded us that we weren&#8217;t seeing a full-on Broadway production.<\/p>\n<p>Speaking of Broadway, <i>Wanda&#8217;s World<\/i> is rather long for a one-act; it would take only a modest expansion to turn it into a two-act fit for the Broadway stage.  It has all the ingredients.  The spoken scenes &#8211; written by Eric H. Weinberger, who cooked up the story with Ms. Falcone &#8211; are just long enough to advance the plot and give us needed breathers between the highly energized musical numbers.  And the limber cast delivers it all with kid-friendly, enlarged realism.<\/p>\n<p>The music itself relies on kicked-up but fluid modern rock arrangements of a fairly small number of easy-to-grasp themes.  It&#8217;s not easy to write and arrange music that seems to effortlessly balance simplicity and fun with originality and musical literacy.  Ms. Falcone, with musical director Douglas Oberhamer, has done so.<\/p>\n<p>In short, this romp of a show is a pure delight, appropriate for any but the smallest children, and for any adult with a yen for fun. <i><a href=\"http:\/\/www.wandasworldtv.com\/\" target=\"_blank\">Wanda&#8217;s World<\/a>,<\/i> presented by <a href=\"http:\/\/www.amasmusical.org\/\" target=\"_blank\">Amas Musical Theatre<\/a>, plays through Feb. 10 at the 45th Street Theatre, 354 W. 45 St., NYC.  Tickets at <a href=\"http:\/\/www.theatermania.com\/\" target=\"_blank\">Theatermania<\/a> or call (212) 352-3101.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aimed at &#8220;the tween in all of us,&#8221; the brash, sparkling new musical Wanda&#8217;s World lives up to its billing splendidly. Director-choreographer Lynne Taylor-Corbett fashions Beth Falcone&#8217;s rock and pop-inspired tunes into a series of colorful song-and-dance numbers that tug the ear, delight the eye, and yank you through the story in spite of yourself. &hellip; <a href=\"https:\/\/jonsobel.com\/?p=316\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Theater Review (NYC): <i>Wanda&#8217;s World<\/i>&#8220;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-316","post","type-post","status-publish","format-standard","hentry","category-theater"],"_links":{"self":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts\/316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=316"}],"version-history":[{"count":0,"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts\/316\/revisions"}],"wp:attachment":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=316"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=316"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}