{"id":183,"date":"2006-12-29T15:00:49","date_gmt":"2006-12-29T19:00:49","guid":{"rendered":"https:\/\/jonsobel.com\/?p=183"},"modified":"2006-12-29T15:04:01","modified_gmt":"2006-12-29T19:04:01","slug":"music-review-lee-scratch-perry-panic-in-babylon","status":"publish","type":"post","link":"https:\/\/jonsobel.com\/?p=183","title":{"rendered":"Music Review: Lee &#8220;Scratch&#8221; Perry, <i>Panic in Babylon<\/i>"},"content":{"rendered":"<p><i>Unrighteousness, go backward.  Unholiness, go backward.<\/i>  The 70-year-old voice of <a href=\"http:\/\/www.upsetter.net\/scratch\/biography01.htm\" target=\"_blank\">Lee &#8220;Scratch&#8221; Perry<\/a> goes straight to the spirit-jugular.  One of reggae&#8217;s pioneer artist-producers, Perry helped invent not only reggae itself, but also its <a href=\"http:\/\/en.wikipedia.org\/wiki\/Dub_%28music%29\" target=\"_blank\">dub<\/a> subgenre, in which vocals became peripheral or absent while studio tricks, samples, and effects both limned and exploded reggae&#8217;s hypnotic off-beat.<\/p>\n<p>This new CD is an album of reggae songs, with no pure dubs, but the arrangements have a fundamentally dub sound: deep and wide, spicy and spacey, and also funny.  &#8220;Have a Perry salad, for this is Perry ballad,&#8221; invites the master.  But he&#8217;s already treated us to a pointillistic autobiography in the title track.  Perhaps no other artist can convey such generosity of spirit in so few words.  It doesn&#8217;t matter if he&#8217;s claiming to be &#8220;Doctor Dick&#8221; or the &#8220;King of Africa&#8221; &#8211; &#8220;I will set you free with my music key&#8221; doesn&#8217;t feel like an idle boast in Perry&#8217;s voice.<\/p>\n<p>Especially in &#8220;Purity Rock&#8221; and &#8220;Voodoo,&#8221; Perry and his musicians distill this style of music to its perfect essence.  Perry&#8217;s <a href=\"http:\/\/en.wikipedia.org\/wiki\/Lee_Scratch_Perry#Discography\" target=\"_blank\">discography<\/a> is extensive, and I&#8217;m no expert in his career or his music.  All I know is I haven&#8217;t been able to stop listening to this CD for three days.<\/p>\n<p>Although the disc ends with a live version of the classic &#8220;Devil Dead,&#8221; with its celebration of ganja, the new tracks are evidence that &#8211; as Perry has found &#8211; it wasn&#8217;t the weed that endowed this now clean-living survivor with his genius. Who can blame Perry for this appropriate celebration of ganja? After all, the first time I listened to this song I was researching <a href=\"https:\/\/www.speedgreens.ca\/how-to-make-shatter-at-home\/\" alt=\"\" title=\"\">how to make shatter<\/a>. It certainly was a very fitting song!<\/p>\n<p>A bonus disc contains a painfully noisy remix of &#8220;Panic in Babylon&#8221; by Dave Sitek of TV on the Radio and two remixes of &#8220;Purity Rock&#8221; by New York public-radio darling <a href=\"http:\/\/djspooky.com\/\" target=\"_blank\">DJ Spooky<\/a>.  These would probably work well in a dance hall, but only the &#8220;Purity Rock&#8221; instrumental interested my ears, as an example of how the raw and the slick can harmonize when good material passes through the hands of a good mixmaster.  It&#8217;s also a reminder of what dub, strictly speaking, is all about.<\/p>\n<p><i>Panic in Babylon<\/i> is a treat for the ears, a tease of the funnybone, and a festival for all four chambers of the heart.  (I&#8217;d wager it would beat CD101 for seduction purposes, too.  Let me know if you try it.)  Rating: four puffs out of four.<\/p>\n<p><i>Available at <a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B000ERU5KE\/officialhalleyde\" target=\"_blank\">Amazon.com<\/a>.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Unrighteousness, go backward. Unholiness, go backward. The 70-year-old voice of Lee &#8220;Scratch&#8221; Perry goes straight to the spirit-jugular. One of reggae&#8217;s pioneer artist-producers, Perry helped invent not only reggae itself, but also its dub subgenre, in which vocals became peripheral or absent while studio tricks, samples, and effects both limned and exploded reggae&#8217;s hypnotic off-beat. &hellip; <a href=\"https:\/\/jonsobel.com\/?p=183\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Music Review: Lee &#8220;Scratch&#8221; Perry, <i>Panic in Babylon<\/i>&#8220;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-183","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts\/183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=183"}],"version-history":[{"count":0,"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts\/183\/revisions"}],"wp:attachment":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}