{"id":117,"date":"2006-02-23T19:07:09","date_gmt":"2006-02-23T23:07:09","guid":{"rendered":"\/?p=117"},"modified":"2006-02-24T13:39:13","modified_gmt":"2006-02-24T17:39:13","slug":"indie-round-up-for-feb-23-2006-beautiful-girls-gordone-kurdian","status":"publish","type":"post","link":"https:\/\/jonsobel.com\/?p=117","title":{"rendered":"Indie Round-Up for Feb 23 2006: Beautiful Girls, Gordone, Kurdian"},"content":{"rendered":"<p>I just scored myself some tickets to Cate Blanchett in <i>Hedda Gabler<\/i> at BAM, so I&#8217;m in a great mood.  Let&#8217;s just get started, then.  I&#8217;ve got three good indie CDs to tell you about this week.<\/p>\n<p>===<br \/>\n<a href=\"http:\/\/thebeautifulgirls.com\/\"target=\"_blank\">The Beautiful Girls<\/a>, <i>We&#8217;re Already Gone<\/i><\/p>\n<p>Perhaps one of the best eclectic acts to come along since Beck, <a href=\"http:\/\/thebeautifulgirls.com\/\"target=\"_blank\">The Beautiful Girls<\/a> are at home with dub, reggae, blues-rock, lo-fi pop and roots.  It isn&#8217;t the individual songs but the sum total that makes this Australian band so interesting and potentially important.  Guitarist and principal songwriter Mat McHugh sings with wry circumspection, and there&#8217;s no fancy production; the songs are arranged and played with elemental rather than mechanical precision, like basic reggae.  When the sound gets big, as in the rave-up at the end of &#8220;The Biggest Lie I Ever Told,&#8221; the effect is mighty; throughout, the band skilfully employs layering and dynamics to get the most possible impact from simple forms.<\/p>\n<p>Plus you can dance to it.<\/p>\n<p>Despite the band&#8217;s somewhat self-consciously modern sound, there&#8217;s very little &#8220;how cool are we!&#8221; attitude; these guys have internalized many styles, but their synthesis seems to come very naturally.  End result: subtle, twenty-first-century eclectic-pop gold.<\/p>\n<p>===<br \/>\n<a href=\"http:\/\/leahcarlagordone.com\/\" target=\"_blank\">Leah-Carla Gordone<\/a>, <i>Dancing On The Dragon<\/i><\/p>\n<p><a href=\"http:\/\/leahcarlagordone.com\/\" target=\"_blank\">Leah-Carla Gordone<\/a> has matured appreciably since her last album, <i>Butterfly Child.<\/i>  Stylistically, her r&#038;b-flavored folk-rock puts one in mind of Melissa Etheridge (minus the off-key singing) crossed with Gwen Stefani (minus the pandering to the male libido).  But Gordone holds forth in a husky baritone like Nina Simone&#8217;s, backed up with her own acoustic and twelve-string guitars and some highly funky support musicians, notably Mike Unger on electric guitar, violinist Yiling Tien, and a crack rhythm section.<\/p>\n<p>No longer dependent on peace-and-love homilies, Gordone&#8217;s lyrics mingle hopeful idealism (&#8220;Can we get it back to how it used to be\/When everything was pure and free&#8221;) with relationship <i>realpolitik:<\/i> &#8220;When you open up and let someone in\/It&#8217;s like peeling back a layer of your skin\/And it hurts at first but then you grow to like it\/That is when the tragedy begins.&#8221;  Melodies flow, harmonies soar, and choruses glitter.  Gordone remains an earnest, serious and consciously inspirational singer-songwriter, but the style and art of her songs, and her production of them, now make a fine match with her lyrical themes, with hooks that are organic to the songs and also strong in pop sensibility: &#8220;This Moment,&#8221; &#8220;Get It Back,&#8221; and &#8220;The Dragon&#8221; are especially good examples of Gordone&#8217;s ability to come up with tunes both meaningful and catchy.<\/p>\n<p>===<br \/>\n<a href=\"http:\/\/www.melinehkurdian.com\/\" target=\"_blank\">Melineh Kurdian<\/a>, <i>From Where You Are<\/i><\/p>\n<p>Folk-rocker <a href=\"http:\/\/www.melinehkurdian.com\/\" target=\"_blank\">Melineh Kurdian<\/a> takes inspiration from the Indigo Girls and Ani DiFranco as well as the traditions of American roots music.  Nothing unusual there; umpteen folk-rockers meet that description.  What sets Kurdian apart is the sheer beauty of her songs and of the voice that brings them to life, a voice with a measure of Patty Griffin&#8217;s ability to wrench the heart.  &#8220;Santa Maria&#8221; almost knocks you over with loveliness; &#8220;Devil&#8217;s Child&#8221; is a poignant, almost achingly generous response to intolerance.<\/p>\n<p>On the technical side, Kurdian&#8217;s own superior guitar skills seem to have inspired the supporting musicians &#8211; including lead guitarists Rob Endicott (a name new to me) and <a href=\"http:\/\/www.cdbaby.com\/cd\/annklein4\" target=\"_blank\">Ann Klein<\/a> (who&#8217;s played with just about everyone) to excellent work.  <\/p>\n<p>Klein&#8217;s leads fire up &#8220;Cowgirl Love Song,&#8221; whose lyrics neatly capture life&#8217;s biggest dilemma with a musical metaphor: &#8220;That&#8217;s a tough chord, that&#8217;s a hard question to play\/That&#8217;s a lot of love that you shove in my direction every day.&#8221;  &#8220;Goddamn n&#8217; Just Do&#8221; is a muscular take on the &#8220;Hit the Road, Jack&#8221; theme: &#8220;I am the unexpected man that can, I am a wild woman you don&#8217;t know could\/I am what you could and should but won&#8217;t &#8217;cause you won&#8217;t follow through&#8230; So, pack your heartache, put away your bellyache\/Goddamn and Just Do.&#8221;  Put that in your pipe and smoke it, [insert teenage pop moppet here].<\/p>\n<p>What Kurdian doesn&#8217;t have are big hooks.  That&#8217;s no fatal flaw in music with this rare combination of airy beauty and earthy grace, but it&#8217;s the one thing (other than dumb luck and the unfairness of the world) that could keep Kurdian from reaching the level of folk-rock royalty like the Indigo Girls and Shawn Colvin.<\/p>\n<p>Catch her at <a href=\"http:\/\/www.gogirlsmusic.com\/sxsw\/\" target=\"_blank\">Invasion of the GoGirls at South by Southwest<\/a> in March.  Buy the CD at CD Baby <a href=\"http:\/\/cdbaby.com\/cd\/kurdian\" target=\"_blank\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I just scored myself some tickets to Cate Blanchett in Hedda Gabler at BAM, so I&#8217;m in a great mood. Let&#8217;s just get started, then. I&#8217;ve got three good indie CDs to tell you about this week. === The Beautiful Girls, We&#8217;re Already Gone Perhaps one of the best eclectic acts to come along since &hellip; <a href=\"https:\/\/jonsobel.com\/?p=117\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Indie Round-Up for Feb 23 2006: Beautiful Girls, Gordone, Kurdian&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-117","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts\/117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=117"}],"version-history":[{"count":0,"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts\/117\/revisions"}],"wp:attachment":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}