{"id":115,"date":"2006-02-16T14:54:34","date_gmt":"2006-02-16T18:54:34","guid":{"rendered":"\/?p=115"},"modified":"2006-02-16T14:54:34","modified_gmt":"2006-02-16T18:54:34","slug":"cd-review-jessi-colter-iout-of-the-ashesi","status":"publish","type":"post","link":"https:\/\/jonsobel.com\/?p=115","title":{"rendered":"CD Review: Jessi Colter, <i>Out of the Ashes<\/i>"},"content":{"rendered":"<p><a href=\"http:\/\/www.thehighwaymen.net\/jessi.htm\" target=\"_blank\">Jessi Colter<\/a> released her first solo album in 1970, shortly after her marriage to <a href=\"http:\/\/en.wikipedia.org\/wiki\/Waylon_Jennings\" target=\"_blank\">Waylon Jennings<\/a>, but except for a couple of children&#8217;s releases, she hasn&#8217;t been heard from in over two decades.  Yet her new Don Was-produced CD is every bit as vital as her early self-penned successes, like &#8220;Storms Never Last&#8221; and the 1975 hit &#8220;I&#8217;m Not Lisa.&#8221;<\/p>\n<p>As the first release after the death of an iconic loved one &#8211; Jennings died in 2002 &#8211; <i>Out of the Ashes<\/i> bears comparison to Roseanne Cash&#8217;s powerful and elegiac <a href=\"http:\/\/blogcritics.org\/archives\/2006\/01\/25\/051321.php\" target=\"_blank\"><i>Black Cadillac<\/i><\/a>, but Colter&#8217;s voice, though supple, bears the honorable stamp of age and weather.  In the hypnotic title track, which alone is worth the price of the CD, Colter&#8217;s voice fades in and out among fussy piano arpeggios &#8211; typical of the casual, slightly messy production.  She does the same thing in the Patsy Cline-like &#8220;You Took Me By Surprise,&#8221; keeping her voice low, J.J. Cale style, among the rocking piano chords, forcing the listener to lean in to hear.  The song&#8217;s mix of old-style Country &#038; Western with turn-of-the-21st-century alt-country (cf. the Be Good Tanyas) shows us two things: there&#8217;s nothing new under the sun, and the sun should shine brightly on Jessi Colter&#8217;s comeback.<\/p>\n<p>The elder Jennings&#8217;s voice (son Shooter also appears on the CD) emerges from the past on a duet of the Tony Joe White classic &#8220;Out of the Rain.&#8221;  This slightly off-kilter but moving treatment can stand proudly with those by Joe Cocker and Etta James.  The gentle, artsy &#8220;So Many Things&#8221; is a small glowing treasure.  Colter gets down and bluesy in &#8220;You Can Pick &#8216;Em&#8221; and &#8220;Velvet &#038; Steel,&#8221; devotional in the opening and closing hymns, playful in her cover of Bob Dylan&#8217;s &#8220;Rainy Day Women #12 &#038; 35,&#8221; and back to country music basics with &#8220;Never Got Over You,&#8221; a duet co-written with Ray Herndon.  The CD is a consistently sparkling constellation of American roots music.<\/p>\n<p>With Rosanne Cash&#8217;s latest, knowing the backstory is an aid to appreciating the music.  But Jessi Colter&#8217;s new CD, though it has a melancholy tone that suggests loss, demands no knowledge of specific lives.  Its pure, raw, deeply human music is full of sweetness but entirely saccharine-free.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jessi Colter released her first solo album in 1970, shortly after her marriage to Waylon Jennings, but except for a couple of children&#8217;s releases, she hasn&#8217;t been heard from in over two decades. Yet her new Don Was-produced CD is every bit as vital as her early self-penned successes, like &#8220;Storms Never Last&#8221; and the &hellip; <a href=\"https:\/\/jonsobel.com\/?p=115\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;CD Review: Jessi Colter, <i>Out of the Ashes<\/i>&#8220;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-115","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts\/115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=115"}],"version-history":[{"count":0,"href":"https:\/\/jonsobel.com\/index.php?rest_route=\/wp\/v2\/posts\/115\/revisions"}],"wp:attachment":[{"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jonsobel.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}